Parish Priest

From An Invitation to Poetry, edited by Robert Pinsky and Maggie Dietz.
On loan (rakkity knows what that means) from Chris.

from “Clearances”

When all the others were away at Mass
I was all hers as we peeled potatoes.
They broke the silence, let fall one by one
Like solder weeping off the soldering iron:
Cold comforts set between us, things to share
Gleaming in a bucket of clean water.
And again let fall. Little pleasant places
From each otherís work would bring us to our senses.

So while the parish priest at her bedside
Went hammer and tongs at the prayers for the dying
And some were responding and some crying
I remembered her head bent towards my head
Her breath mine, our fluent dipping knives —
Never closer the whole rest of our lives.

Seamus Heaney

Listen

Biography

Unearthly

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The Carrizo Plain in the sky . Thanks to shinydome and rakkity.


Silence

There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.

The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.

The stillness of the cup and the water in it,
the silence of the window above us,
and the silence when you rise and turn away.

And there is the silence of this morning
which I have broken with my pen,
a silence that had piled up all night

like snow falling in the darkness of the house –
the silence before I wrote a word
and the poorer silence now.

Billy Collins

Happy Mother’s Day

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Lot’sa moms

Jennifer will have to help me here, but I think: her sister, her mother( Nancy), Jennifer, unknown, Jennifer’s grandmother. I’m guessing the baby in Jennifer’s arms is her eldest daughter.

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e.e. cummings – i carry your heart with me

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)


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Happy Mother's Day

moms_sm.jpg
Lot’sa moms

Jennifer will have to help me here, but I think: her sister, her mother( Nancy), Jennifer, unknown, Jennifer’s grandmother. I’m guessing the baby in Jennifer’s arms is her eldest daughter.

View larger image


e.e. cummings – i carry your heart with me

i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it’s you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than the soul can hope or mind can hide)
and this is the wonder that’s keeping the stars apart

i carry your heart (i carry it in my heart)


inky_black_sm.jpg
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Faux Americana

Chris, the internet reader, sent me this link . If you have any interest in Bruce Springsteen, it is one of those ìmust reads.î


Susan arrived yesterday as I was putting dinner on the table. Matt did his caged lion act, forced to sit with us twice as long as normal. After dinner, he bolted to Willow Books while we went to – where else? – Ericksonís Ice-cream .

The Soul Wanders

Averno

Louise Gluck

Averno. Ancient name, Avernus. A small crater lake, ten miles west of Naples, Italy; regarded by the ancient Romans as the entrance to the underworld.

1

You die when your spirit dies.
Otherwise, you live.
You may not do a good job of it, but you go on —
something you have no choice about.

When I tell this to my children
they pay no attention.
The old people, they think–
this is what they always do:
talk about things no one can see
to cover up all the brain cells theyíre losing.
They wink at each other;
listen to the old one, talking about the spirit
because he canít remember anymore the word for chair.

It is terrible to be alone.
I donít mean to live alone–
to be alone, where no one hears you.

I remember the word for chair.
I want to say–Iím just not interested anymore.

I wake up thinking
you have to prepare.
Soon the spirit will give up–
all the chairs in the world wonít help you.

I know what they say when Iím out of the room.
Should I be seeing someone, should I be taking
one of the new drugs for depression.
I can hear them, in whispers, planning how to divide the cost.

And I want to scream out
youíre all of you living in a dream.

Bad enough, they think, to watch me falling apart.
Bad enough without this lecturing they get these days
as though I had any right to this new information.

Well, they have the same right.

Theyíre living in a dream, and Iím preparing
to be a ghost. I want to shout out

the mist has cleared–
Itís like some new life:
you have no stake in the outcome;
you know the outcome.

Think of it: sixty years sitting in chairs. And now the mortal spirit
seeking so openly, so fearlessly–

To raise the veil.
To see what youíre saying goodbye to.

2

I didnít go back for a long time.
When I saw the field again, autumn was finished.
Here, it finishes almost before it starts–
the old people donít even own summer clothing.

The field was covered with snow, immaculate.
There wasnít a sign of what happened here.
You didnít know whether the farmer
had replanted or not.
Maybe he gave up and moved away.

The police didnít catch the girl.
After awhile they said she moved to some other country,
one where they donít have fields.

A disaster like this
leaves no mark on the earth.
And people like that–they think it gives them
a fresh start.

I stood a long time, staring at nothing.
After a bit, I noticed how dark it was, how cold.

A long time–I have no idea how long.
Once the earth decides to have no memory
time seems in a way meaningless.

But not to my children. Theyíre after me
to make a will; theyíre worried the government
will take everything.

They should come with me sometime
to look at this field under the cover of snow.
The whole thing is written out there.

Nothing: I have nothing to give them.

Thatís the first part.
The second is: I donít want to be burned.

3

On one side, the soul wanders.
On the other, human beings living in fear.
In between, the pit of disappearance.

Some young girls ask me
if theyíll be safe near Averno–
theyíre cold, they want to go south a little while.
And one says, like a joke, but not too far southó

I say, as safe as anywhere
which makes them happy.
What it means is nothing is safe.

You get on a train, you disappear.
You write your name on the window, you disappear.
There are places like this everywhere,
places you enter as a young girl,
from which you never return.

Like the field, the one that burned.
Afterward, the girl was gone.
Maybe she didnít exist,
we have no proof either way.

All we know is:
the field burned.
But we saw that.

So we have to believe in the girl,
in what she did. Otherwise
itís just forces we donít understand
ruling the earth.

The girls are happy, thinking of their vacation.
Donít take a train, I say.

They write their names in mist on a train window.
I want to say, youíre good girls,
trying to leave your names behind.

4

We spent the whole day
sailing the archipelago,
the tiny islands that were part of the peninsula

until theyíd broken off
into the fragments you see now
floating in the northern sea water.

They seemed safe to me,
I think because no one can live there.

Later we sat in the kitchen
watching the evening start and then the snow.
First one, then the other.

We grew silent, hypnotized by the snow
as though a kind of turbulence
that had been hidden before
was becoming visible,

something within the night
exposed nowó

In our silence, we were asking
those questions friends who trust each other
ask out of great fatigue,
each one hoping the other knows more

and when this isnít so, hoping
their shared impressions will amount to insight.

Is there any benefit in forcing upon oneself
the realization that one must die?
Is it possible to miss the opportunity of oneís life?

Questions like that.

The snow heavy. The black night
transformed into busy white air.

Something we hadnít seen revealed.
Only the meaning wasnít revealed.

5

After the first winter, the field began to grow again.
But there were no more orderly furrows.
The smell of the wheat persisted, a kind of random aroma
intermixed with various weeds, for which
no human use has been as yet devised.

It was puzzlingóno one knew
where the farmer had gone.
Some people thought he died.
Someone said he had a daughter in New Zealand,
that he went there to raise
grandchildren instead of wheat.

Nature, it turns out, isnít like us;
it doesnít have a warehouse of memory.
The field doesnít become afraid of matches,
of young girls. It doesnít remember
furrows either. It gets killed off, it gets burned,
and a year later itís alive again
as though nothing unusual has occurred.

The farmer stares out the window.
Maybe in New Zealand, maybe somewhere else.
And he thinks: my life is over.
His life expressed itself in that field;
he doesnít believe anymore in making anything
out of earth. The earth, he thinks,
has overpowered me.

He remembers the day the field burned,
not, he thinks, by accident.
Something deep within him said: I can live with this,
I can fight it after awhile.

The terrible moment was the spring after his work was erased,
when he understood that the earth
didnít know how to mourn, that it would change instead.
And then go on existing without him.

Lightfair

With permission, I’m posting this email Adam sent to both me and his father.

The New York Lighfair was enormous, though lacking some familiar names. Lots of big names don’t show a booth, both because of industrial espionage, but also the cost — the bigger you are, the harder to distinguish yourself, so the more it costs. $30k – $50k seems like the low end of the high end. Didn’t see any of those factories’†people either — they sometime send folks to walk about just for the sake of being there politically.

The trip was good, though not especially “productive”. We took the Acela high-speed Amtrak train†down from a stop on 128/95 south of Boston –†3 hrs. 15 min. there to Penn. Station. And just days before they were grounded for brake problems. Rode down sitting with a rep friend†and Tracy from Ripman, who’s just gotten engaged, her boyfriend proposing underwater while scubadiving in Curacao!

Dropped our luggage at the Times Square Westin (not to mention dropping several hundred dollars) then a free shuttle to the Javits Convention Center on the lower West Side. Walked onto the floor about noon, where we were to meet a German manufacturer for lunch.

There’d been a change of plans, though, so no lunch. Invites to Germany on their dime at some unspecified time, but no lunch. Despite grumbly stomachs, we decided to just hit the aisles and later bought savory crepes (of all things) from a sales floor vendor. Huge show, with hundreds of booths. Lots of interesting new stuff, though little approaching revolutionary. LEDs have really hit their stride, showing up in everything from track fixtures and outdoor spotlights to neon-like linear things and television-like panels. Much of it kinda silly, really, though some of it quite useful and clever. And Chinese firms were as usual†dense around the fringes, making few contacts that I could see but engaging in the aforementioned subtle espionage. Luke even saw someone thrown off the floor for unauthorized photography. And China itself (or its trade commission or something) took†several whole “blocks” of booths, a first in my experience.

Show closes at 6:00 each day, and after waiting in a huge line for the shuttle bus and changing back at the hotel, we were off for the first of the night’s attempt at three parties, at the Guggenheim, arriving there about 7:30.††Few familiar faces, and the museum devoid of art for the first four floors due to an installation in the atrium — a 90-degree outside-corner mirrored tower reflecting the Frank Lloyd Wright spiral back on itself, with small panels of neon-green colored taped applied as dashes to the insides of the spiral rail/walls for visual clarity. Clever for about 5 minutes. Then funny for the funhouse mirror moments for†a few minutes more, and then the stark whiteness of the place begins to gnaw, the black-clad human ants insufficient and equally stark counterpoint. Tasty hors d’ouevres and free drinks kept us there a half-hour or more, but then we were off for the next party, thrown at storied The Tavern on the Green in Central Park.

More mirrors, but a†whole other experience. Zigzagging paneled halls of faceted mirrors confuse the eye but ultimately†lead you into a brashly frilly open space full of white latticework gingerbread and drippy crystal chandeliers, where hundreds of people were hoovering up extensive tablefulls of food and free booze, a few dancing in the central greenhouse atrium (to cheesy Abba covers as we arrived, almost spinning on our heels and departing in response). Many hundreds more were in the†equally drippy†garden outside, where the huge trees are wrapped trunks-to-branch-tips in glitter-light nets. We’re told that over 700 showed up, about double the expectation, making a harried night of it for the waitstaff.

Some compatriots and old friends were smoking cigars outside (like everybody else who for some reason finds that habit a social necessity — not that you’d get any truly fresh air in NYC, but you had to go inside for it there), so we stayed to talk. After about as much as we could take, though, we were rescued by a phone call from the third party, which was nearing its close at 9:30, our friends about to head out for dinner. So we scooted by foot a couple blocks down to the Time Warner complex on Columbus Circle, a fascinatingly massed almost twin tower of curved glass, up to the 15-minutes-of-fame-trendy new Stone Rose bar, where I managed most of a quick Glenmorangie port finish, one icecube, which beat the Red Label and Dewars from the last parties, before wistfully leaving it half-full as the last member showed up and we were off for dinner.

Which was at one of New York’s most famous steakhouses. And me a vegetarian. One walks in past the deliberately windowed meat curing room full of darkened slabs of aged and tagged meat. A macabrely repetitive scene of bizarre simplicity, floor to ceiling beef. Despite that, we forged ahead, and later, my ordering the “Seasonal Vegetable Platter” was a rollicking moment of irony, the wine good, the stories entertaining, ranging from my growing up in Venezuela to one of the reps’ it-only-gets-worse tale of misbehaving and being serially thrown out of a Jimmy Buffet concert for his increasingly insane attempts to get back in after the first transgression forcefully separated him from the clients he was entertaining.

It wasn’t all fun and games, as some business and politics were slid in subtly, but after we left, we declined the last stop at a swanky bar and instead wandered back to our hotel through Times Square marvelling at the excess, and hit the hay about 1:00 a.m.

We also declined our last offer, breakfast at The Rainbow Room the next morning –†probably a mistake, but Lukas, father of two small children, never gets to sleep in, and that seemed more enticing. So he and I went to a small cafe for a leisurely breakfast, then checked out, and got back to the Javits about 11:00. Many more familiar and long-lost faces, and more in-depth conversations, the pressure to see it all dispelled by the first day’s efforts. I was less effective than Luke, staggering about on legs that were quite done yesterday, thank-you-very-much, and randomly hitting up interesting booths. Our separating both days was good strategy, though, as there was little overlap in our efforts.

Perfunctory lunch there again, some political intrigue to do with reps and firings and Machiavellian scheming, more old friends, then off for Penn Station for our 7:00 p.m. train., home about 11:00.

Thaw

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Adam sent me this photograph about a month ago. This river to be is now all river.
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Matt is on Spring Break in Florida and we are going to be in Chatham on the Cape until Monday. No computer access and no updates unless the Benedict Arnold Twins, Adam and Dan, chime in.